{"items":[{"t":"Echoes","u":"/work/echoes/","c":"screenplays","y":"2026","r":"","tape":"VHS-0001","s":"A feature in development. A man infiltrates a company that writes thought to order, and finds something older than the company waiting inside the work.","k":"film in development screenplays vhs-0001 film feature · in development writer, director 2026 free will, authored. a thriller about who is holding the pen. echoes follows oliafor into a firm that scripts the inner voice — the small, persuasive narration people mistake for their own. the deeper he reaches, the less the firm looks like the author and the more it looks like the instrument. the voice you trust most is the one you never chose. development is ongoing: treatment, look development and a proof-of-concept sequence shot on a blackmagic pipeline graded to an arri-classic finish.","i":{"src":"echoes/cover","ext":"jpg","w":1600,"h":900,"p":true}},{"t":"Dance with the Nation","u":"/work/dance-with-the-nation/","c":"music videos","y":"2025","r":"","tape":"VHS-0002","s":"A music video for Alan Chan. A single performance carried from a grey office into a festival-scale crowd, built from multi-angle footage.","k":"music video in production music videos vhs-0002 music video alan chan director, editor, grade 2025 one room becomes a crowd of thousands. the cut moves from the flat light of an office to the scale of a main stage without a seam, holding one performance across both worlds.","i":{"src":"dance-with-the-nation/cover","ext":"jpg","w":1600,"h":900,"p":true}},{"t":"The Corner","u":"/work/the-corner/","c":"graphic design","y":"2025","r":"","tape":"VHS-0003","s":"Identity for a square-pizza food truck. A five-colour system, a condensed display face, and a diagonal slash that does the work of a logo.","k":"graphic design delivered graphic design vhs-0003 graphic design the corner identity, art direction 2025 a square pizza needs a square voice. the brand is built from one move — a diagonal slash — and a palette named for its ingredients: crust, san marzano, fior di latte, basil, aged parmesan.","i":{"src":"the-corner/cover","ext":"jpg","w":1600,"h":1067,"p":true}},{"t":"Firestarter","u":"/work/firestarter/","c":"illustration","y":"2025","r":"","tape":"VHS-0004","s":"A graphic novel set in a sealed lunar dome, where a woman destroys the plants that quietly make the air. Ink, mask, and the politics of breathing.","k":"illustration in progress illustration vhs-0004 illustration graphic novel · in progress writer, illustrator 2025 who owns the air owns the city. a dome where status is worn on the face — masked or bare — and the only honest currency is breath. the line work stays heavy and graphic, closer to a printing block than a pencil. in a place that sells the air, breathing is a position.","i":{"src":"firestarter/cover","ext":"jpg","w":1200,"h":1500,"p":true}},{"t":"Nightworks","u":"/work/nightworks/","c":"photography","y":"2025","r":"","tape":"VHS-0005","s":"An ongoing series photographed after dark in London — the city read by the light it leaves on.","k":"photography ongoing photography vhs-0005 photography series · ongoing photographer 2025 the city, read by the light it leaves on. shot handheld between the last train and the first, with no added light. what the street gives is what the frame keeps.","i":{"src":"nightworks/cover","ext":"jpg","w":1600,"h":1067,"p":true}},{"t":"On finishing","u":"/journal/on-finishing/","c":"log","y":"2026","d":"2026-02-18","s":"The cost of carrying a thing the last ten percent has collapsed. So the only honest reason left to leave something unfinished is that you don't want it finished.","k":"notebook journal log note for most of the history of making things, completeness was expensive. the last ten percent of a film, a record, a book — the grade, the mix, the proof — cost more than the first ninety. so we learned to stop early and call it taste. that economics has changed. the marginal cost of carrying a piece of work all the way to done is now close to nothing. which removes the excuse, and leaves the question: if it's cheap to finish, why is it still unfinished? usually the honest answer is that you were never going to. this studio is built around the opposite default. finish the thing. then decide…","i":null},{"t":"The look before the explanation","u":"/journal/the-look-before-the-explanation/","c":"log","y":"2026","d":"2026-01-09","s":"A note on sequencing — why the work should arrive before the words, on a wall, in a cut, and on a page.","k":"criticism journal log 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